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卡特•布兰切卓绝席2015年戛纳电影节红毯(图片: 好意思联社)

From ‘heelgate’ to the Palm Dog to the ‘Dad bod’ – it’s been a dizzying 12 days. Here are nine lessons from the film festival as it draws to a close.从“高跟鞋门”到“金棕榈狗狗奖”（Palm Dog），再到马上走红的“老爹体魄（Dad bod）”，戛纳电影展的这12天，的确令东谈主头昏目眩。跟着电影节干预尾声，英国播送公司转头了本届戛纳影展上的九桩事。

1. Cannes has a dirty underbelly 1.戛纳也有软肋

It was Somerset Maugham who said the French Riviera is “a sunny place for shady people” – and looking around at all the ‘models’ in the hotel lobbies and the men in dark sunglasses who seemed to know them， I knew what he meant. Behind the festival’s shiny facade， there is an unseemly side – and beneath the azure waters， a polluted mess. The French diver and environmentalist Laurent Lombard’s video of the Cannes seabed strewn with waste and debris went viral before the festival began. We were assured there was no danger to swimmers， and the mayor had it cleaned up according to the Daily Mail – but the Med had certainly lost some of its sparkle. 萨默塞特•毛姆（Somerset Maugham）曾样式法国里维埃拉（French Rivier）为“阴雨东谈主物的阳光之地”。环顾着栈房大堂里的“模特”，带着黑超的男东谈主们似乎与他们相识，我似乎知晓了毛姆。戛纳丽都的外在下有着其并不光彩的一面，就如蔚蓝的海水下垃圾成堆。电影节开幕前，法国潜水员，同期亦然环保东谈主士的Laurent Lombard(劳伦•隆巴德)拍摄的戛纳河床千里积着多半垃圾废料的视频被疯传。咱们被奉告在此游水并无危急。据《逐日邮报》报谈，市长已下令计帐。然而小镇照实不再那么精明迷东谈主了。

2. The ‘Dad bod’ is so hot right now 2.“老爹体魄”受热捧

As the stars’ private jets swooped in， the internet was going mad for ‘the Dad bod’; the slightly flabby male physique was trending and there were plenty of examples on screen. Deborah Cole of AFP noted a “sweating， panting and shirtless” Gerard Depardieu in Valley of Love and a flash of Joaquin Phoenix’s “tubby tummy” in Woody Allen’s Irrational Man. When Colin Farrell strode the red carpet for the premiere of The Lobster， he looked his usual trim self – but in the film he is distinctly paunchy. To add some girth for the role of a lonely singleton in Yorgos Lanthimos’ absurdist black comedy， Farrell went on a massively calorific diet that included drinking melted ice cream， he told the Hollywood Reporter. Eating “two cheeseburgers， fries and Coca-Colas， and two slices of chocolate cake at 10am is not that fun，” he said. “And I love cheese¬burgers."

明星们的私家飞机刚停稳，“老爹体魄”一词便在互联网上走红。男性微胖的体魄成为潮流，荧幕上不少这样的例子。法新社（AFP）Deborah Cole（黛博拉•科尔）写谈：“杰拉尔•德帕迪约（Gerard Depardieu）在《爱之谷》中的形象等于“大汗淋漓、气急欺压地打着赤膊”， 华金•菲尼克斯 （Joaquin Phoenix）在 伍迪•艾伦（Woody Allen）的新片《非感性的东谈主》（Irrational Man）中也清晰了他那胖胖的肚子。科林•法瑞尔（Colin Farrell）出席《龙虾》（The Lobster）的首映红毯时，看起来如平方一般衣冠皆楚，关联词在剧中他却大腹便便。为了给乖张目的者欧格斯•兰斯莫斯（Yorgos Lanthimos）的玄色笑剧中的孑然主角增肥，法瑞尔多半进食高热量食物，其中包括溶解了的冰淇淋。他告诉《好莱坞报谈》（Hollywood Reporter），“在黎明10点享用2个芝士汉堡、薯条和可乐可不那么道理，”他补充谈，“不外我心爱芝士汉堡。”

3. In Cannes， they speak English 3.在戛纳，他们说英语

“Selling out!” “Pandering to the Americans!” The cries went up immediately when the official selection was announced. The list of directors crossing over to make films in English was a long one including the Italians Matteo Garrone and Paolo Sorrentino， Yorgos Lanthimos of Greece， Norway’s Joachim Trier and even Guillaume Nicloux of France， a country whose cultural establishment is highly sensitive to the creeping Anglophone menace. The argument goes that Cannes is supposed to be a haven for world cinema; for English， there is Hollywood. But does it really matter? Films at Cannes in languages other than French or English play with subtitles in both languages – and that’s a lot of text to deal with.

“当场应变！”“奉承迎合好意思国东谈主！”官方入选名单也曾晓谕，负面评价如潮流般彭湃而来。电影节上影片使用英语对白的导演不在少数，包括了意大利的马提欧•加洛尼（Matteo Garrone）和保罗•索伦蒂诺（Paolo Sorrentino），希腊的欧格斯•兰斯莫斯，挪威的约阿希姆•提尔（Joachim Trier），致使包括法国的纪洛姆•尼克乐（Guillaume Nicloux）。法国有着对英语挟制极其敏锐的文化情结。有一个不雅点以为，戛纳应该是天下电影的天国，而英语电影的天国已经有了，就是好莱坞。但这有道理吗？在戛纳电影节上，除了法语或英语影片，其他影片都是双语字幕--这是个巨大的工程。

4. Booing isn’t just for pantomimes 4.嘘声不单是是个手势

Cannes’ heckles and jeers are famous and the first film to fall foul of this tough crowd was Gus Van Sant’s Sea of Trees， which was greeted by a storm of raspberries and thunderous boos at its press screening. Because these take place before a film receives its black-tie premiere， word quickly gets around and can cast a pall over the big event. When Naomi Watts and Matthew McConaughey took their turn on the red carpet， it had “a horrifically compelling walk-of-shame quality” according to the Daily Telegraph. But the Texan actor put on a brave face at a press conference shortly afterwards. “Anyone has as much right to boo as they do to ovate，” he said. I think we know what he meant. 戛纳电影节素以数落与哄笑著名。在本届电影节上，《青木原树海》（Sea of Trees）成为第一部遭逢不雅众抉剔的电影。该片由格斯•范•桑特Gus Van Sant引导。在媒体放映场，《青木原树海》遭逢嘲弄的风暴，堕入了嘘声之海。由于这些发生在首映红毯前，恶评马上传播，使得盛典蒙上暗影。娜奥米•沃茨（Naomi Watts ）和 马修•麦康纳（Matthew McConaughey）走上红毯时，《逐日电讯报》（Daily Telegraph）样式此场景为“极其恶运却又引东谈主细心标玷辱之途”。然而在随后的新闻发布会上，马修•麦康纳，这位来自德克萨斯的演员心绪冷静，“每个东谈主都有权倒喝彩，正如他们有权喝彩一样，”他说谈。我笃信咱们都知谈他的好奇。

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5. It’s a dog’s life for the British 5.英国东谈主设定的“狗狗奖”

It’s a bit of a lark organised by UK film critics – a gong for the top canine performance at the festival， handed out on the last Friday in the British pavilion. This year the Palm Dog went to Lucky， a Maltipoo – that’s half Maltese terrier， half poodle – who plays Dixie in Miguel Gomes’ six-hour epic， Arabian Nights. The prizewinner is presented with a toy bone and this year delivered a brief acceptance speech (“woof”) by video link. A jolly time was had by all but an unnamed French journalist felt that the award was “an unwanted intrusion of British silliness” in the glamorous proceedings， according to AFP. “From the French perspective， this is a bit bizarre，” he is reported to have said. “The British are weird.”

这是英国影评东谈主参与评比的文娱性奖项，为在参展影片中进展最精彩的狗颁发记挂奖章。受奖庆典于上周五（5月22日）在英国展馆举行。本年的金棕榈狗狗奖颁给了一只名叫红运的狗，它是马耳他梗犬（Maltese terrier）与贵客犬（Poodle）的混血品种。红运出当前米古尔•戈麦斯（Miguel Gomes）时长6小时的巨作《一千零通宵》（Arabian Nights）中，在剧中叫作念迪克西。红运的奖品是一只玩物狗骨头，通过视频红运发表了精真金不怕火的获奖感言（汪）。但据法新社报谈，在这寰球其乐融融的时刻，一位法国记者以为在极具魔力的影展缝隙举办这样的受奖庆典的确“英国东谈主愚蠢脾气的无端烦嚣”。“在法国东谈主看来，这有些奇怪，”他在报谈中说。“英国东谈主的确不可想议。”

6. The parties are epic – if you have the time 6.派对应有尽有——唯一你有技巧

It was all work， work， work for the BBC Culture team and parties， alas， were few and far between. But the rest of Cannes was painting the town red. In 2013 we tried to calculate the amount of champagne consumed at the festival by contacting Piper Heidsieck， “the official drink” of the festival， but they declined to comment – though judging by the merry faces and staggering gaits of some on the Croisette， it’s safe to assume a colossal quantity. At the party for Matteo Garrone’s Tale of Tales on the first weekend， the champers flowed freely and the revellers stayed on until the early hours. When the BBC’s Rebecca Laurence spoke to one of its stars the following morning and asked how many hours sleep he’d had before their interview， he simply narrowed his bleary eyes and held up two fingers. 对于英国播送公司文化部门来说，戛纳技巧堆满了责任，而派对是少之又少。然而，影展以外的电影节给小镇描上了醉东谈主的红色。在2013年，咱们试图说合白雪香槟酒庄（Piper Heidsieck）谋划电影节技巧香槟的挥霍数目，但动作提供“官方饮品”的白雪香槟酒庄拒绝复兴。不外望望克鲁瓦塞特(Croisette)大路上那些微醺的脸庞以及蹒跚的步态，咱们不错合理的预料香槟的挥霍数目终点强大。电影节的第一周，在为马提欧•加洛尼影片《故事的故事》(Tale of Tales)举办的派对上香槟成河，狂欢者嗨至凌晨。次日黎明，英国播送公司的瑞贝卡•劳伦斯与某位明星进行访谈，谈判其在采访前休息了多久。这位明星只是眯起了惺忪的眼睛，抬起了2根手指。

7. Cannes’ ‘year of women’ didn’t go so well 7.戛纳的“女性之年”并走时

It was billed as the year in which female film-makers and women’s issues would be in the spotlight. The festival opened with a film by a female director for the first time in 28 years， Isabella Rossellini chaired the Un Certain Regard jury and Salma Hayek convened a high-profile panel to discuss the role of women in cinema. There was plenty to talk about – but had anything really changed? The numbers seemed to speak for themselves: of the 19 films in competition， only two were directed by women. And then came ‘Heelgate’ – of which， more later… Faced with suggestions that the festival is sexist， artistic director Thierry Frémaux was having none of it. Cannes was being held to an unfairly high standard， he claimed， one not applied to other festivals like Venice or Berlin. His suggestion? Instead， people should “attack the Oscars”. 在本届戛纳电影节上，女性电影制作主谈主以及联系女性话题曾广受温雅成为宣传主题。28年来，戛纳初次以女导演拍摄的电影拉开序幕，伊莎贝拉•罗西里尼(Isabella Rossellini)成为“一种温雅”单位评审团主席，莎尔玛•海雅克(Salma Hayek)主握谈判会高调探讨女性脚色在电影中的道理。不错谈判的话题有很多，然而真的有何转换吗？数字似乎更能诠释问题，主竞赛单位的19部入围作品仅有2部来自女性导演。此后发生的“高跟鞋门”，更有.....靠近外界对于影展涉嫌性别敌视的负面音讯，艺术总监蒂埃里•弗雷莫(Thierry Frémaux)少许儿反映都没。他只是说，戛纳电影节的举办有着偏执不屈正的高尺度，参展影片不可苦求其他诸如威尼斯或柏林电影节。这难谈是提议东谈主们去“短处奥斯卡”？

8. Flats are allowed on the red carpet – or are they? 8.身着平底鞋回绝入场，是吗？

The biggest story of the festival had nothing to do with films. It was about shoes. On Tuesday trade magazine Screen reported that a group of women had been denied access to a screening of Todd Haynes’ Carol because their footwear – flat shoes with rhinestones – was unsuitable for the red carpet. Further tales came tumbling forth， social media erupted in indignation and soon enough we were soon dealing with a fully fledgedscandale. The Cannes press office rushed out a garbled statement: “Rules have not changed throughout the years (Tuxedo， formal dress for Gala screenings) and there is no specific mention about the height of the women’s heels as well as for men’s. Thus， in order to make sure that this rule is respected， the festival’s hosts and hostesses were reminded of it.” Well， that cleared that up. Perhaps wisely， press screenings are exempt from any dress code: scruffy journalists are free to ascend the Palais’ steps in flip flops and trainers. 本届电影节最大新闻与电影无关，而是对于鞋子。据《银幕日报》报谈，上周二（5月19日），数名女性在去参加托德•海因斯(Todd Haynes)执导的《卡罗尔》(Carol)首映红毯时，因穿戴守密有莱茵石的平底鞋，而被责任主谈主员以不合乎章程为由拒之门外。报谈一出，酬酢媒体上义愤填膺。戛纳新闻办公室仓促应付，称该报谈以文害辞：“这样多年来，电影节的限建都莫得变过(参加电影节放映会，男士着无尾半崇拜晚治服，女士穿崇拜治服。)而对女性高跟鞋的跟高莫得特定的条款，相同对男性的亦无颠倒条款。”因此，为了确保遵照限定，男女主握会被教唆记取这些限定。好了，这下澄澈了，媒体放映场莫得任何着装条款：着装浑沌的记者们可穿戴东谈主字拖与畅通鞋浮松踏上皇宫广场（Palais）的路子。

9. Never trust the polls 9.千万别笃信民调

It was the lesson of the UK general election and it’s the big ‘takeaway’ from Cannes too: prediction is a mug’s game. All week the chatter was that Todd Haynes’ lesbian love story Carol was set to collect the Palme d’Or – or that Holocaust drama Son of Saul from first-time director László Nemes would triumph. In the last few days a consensus began to form around The Assassin from Taiwanese director Hou Hsiao-Hsien; according to British bookmakers， The Lobster was the one to beat. But when Jacques Audiard’s Dheepan was announced as the winner， the response was a collective “really?” For all the pundits， critics’ panels， insider gossip， statistics and God knows what else， few had picked it. Oh well: c’est la vie. 英国大选就是个教导。民调也不外是戛纳的“外卖餐点”：展望是傻瓜才干的事。一整周，坊间哄传托德•海因斯的女同性恋恋爱故事《卡罗尔》将斩获金棕榈最好影片奖，大致拉斯洛•杰莱斯László Nemes 处女作《索尔的犬子》Son of Saul将折桂。终末几天，共鸣则是来自台湾的导演侯孝贤（Hou Hsiao-Hsien）引导的《刺客聂隐娘》（The Assassin）将问鼎大奖。且据英国博彩分析，《龙虾》是个难缠的敌手。然而，最终晓谕雅克•欧迪亚Jacques Audiard’s 《流浪的迪潘》Dheepan获奖时，寰球一致惊诧默示：“真的吗？”悉数的批驳员、影评东谈主小组、里面八卦、数据统计、天主都知谈，只是少有东谈主说起遣散。好吧，这就是生存。

Vocabularyazure：蔚蓝色add some girth：增多腰身；增肥 subtitle：字幕

（译者：林倩 剪辑：彭娜）亚洲色图 中文字幕